When ex-soldier Maya sees her murdered husband on a secret nanny cam, she uncovers a deadly conspiracy that stretches deep into the past.
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| Title | Air Date | Duration | ||
|---|---|---|---|---|
| Season 1 | Episode 1 | Episode 1 | 2024-01-01 | 56 min |
| Season 1 | Episode 2 | Episode 2 | 2024-01-01 | 46 min |
| Season 1 | Episode 3 | Episode 3 | 2024-01-01 | 41 min |
| Season 1 | Episode 4 | Episode 4 | 2024-01-01 | 51 min |
| Season 1 | Episode 5 | Episode 5 | 2024-01-01 | 54 min |
| Season 1 | Episode 6 | Episode 6 | 2024-01-01 | 52 min |
| Season 1 | Episode 7 | Episode 7 | 2024-01-01 | 50 min |
| Season 1 | Episode 8 | Episode 8 | 2024-01-01 | 35 min |
| Production | Nicola Shindler | Executive Producer |
| Production | Harlan Coben | Executive Producer |
| Production | Daniel Brocklehurst | Executive Producer |
| Production | Richard Fee | Executive Producer |
| Writing | Harlan Coben | Novel |
| Camera | Sam Okell | Digital Imaging Technician |
| Crew | Gordon Seed | Stunt Coordinator |
| Sound | Patch Morrison | Sound Effects Editor |
| Costume & Make-Up | Lin Davie | Hair Designer |
| Production | Mark O'Hanlon | Location Manager |
| Sound | Dave Ratcliffe | Sound Recordist |
| Camera | Mark Shinkins | Best Boy Grip |
| Crew | Matt Da Silva | Stunt Coordinator |
| Sound | Daniel Pugh | Dialogue Editor |
| Production | Charlotte Coben | Producer |
| Production | Maia von Hurter | Casting Associate |
| Art | Eloise Walker | Graphic Designer |
| Camera | Dan Inman | Key Grip |
| Production | Emily Brauders | Post Producer |
| Sound | David Lynch | Other |
| Production | Eleanore Carr | Unit Manager |
| Production | Louise Lyons | Production Manager |
| Costume & Make-Up | Jacky Levy | Costume Designer |
| Production | Gethin Dibowski | Production Assistant |
| Camera | Rob Arrowsmith | Camera Operator |
| Costume & Make-Up | Jacqui Miles | Costume Supervisor |
| Production | Lois Williams | Location Manager |
| Sound | Catherine Grieves | Music Supervisor |
| Costume & Make-Up | Lin Davie | Makeup Designer |
| Art | Melanie Thompson | Art Direction |
| Production | Ola Omotoso | Post Production Coordinator |
| Production | Lucy Spink | Production Designer |
| Art | Tommy Lyons | Property Master |
| Art | Bob Charlton | Construction Manager |
| Sound | Patrick Morris | Sound Re-Recording Mixer |
| Camera | John Lee | Director of Photography |
| Directing | Angie Pontefract | Script Supervisor |
| Writing | Ella Brookes | Script Editor |
| Lighting | Ben Tranfield | Gaffer |
| Editing | Gary Curran | Colorist |
| Editing | Sam Butler | Online Editor |
| Production | Orla Maxwell | Casting Director |
| Sound | David Buckley | Original Music Composer |
| Sound | Lewis Birds | Boom Operator |
| Production | Gail Stezaker | Production Accountant |
| Art | Fiona Gallagher | Set Decoration |
| Art | Lucie Taylor | Property Buyer |
| Costume & Make-Up | Laura Flynn | Makeup Supervisor |
| Crew | Stephanie Carey | Stunt Coordinator |
| Camera | Matt Squire | Still Photographer |
| Camera | Chris Sowden | Director of Photography |
| Production | Andreya Lynham | Casting Associate |
