Cocky researcher Sebastian Caine is working on a project to make living creatures invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase — using himself as the subject. The test is a success, but when the process can't be reversed and Caine seems doomed to future without flesh, he starts to turn increasingly dangerous.
Unfortunately the movie Hollow Man is not yet available on Disney Plus.
| Editing | Ron Vignone | Editor |
| Production | Alan Marshall | Producer |
| Camera | Jost Vacano | Director of Photography |
| Writing | Andrew W. Marlowe | Screenplay |
| Production | Douglas Wick | Producer |
| Directing | Paul Verhoeven | Director |
| Sound | Jerry Goldsmith | Original Music Composer |
| Editing | Mark Goldblatt | Editor |
| Production | Marion Rosenberg | Executive Producer |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Production | Howard Feuer | Casting |
| Production | Stacy Lumbrezer | Co-Producer |
| Production | Kenneth Silverstein | Associate Producer |
| Crew | Lisa Hoyle | Stunt Double |
| Writing | H.G. Wells | Novel |
| Art | Sue Chan | Assistant Art Director |
| Costume & Make-Up | James W. Tyson | Costume Supervisor |
| Crew | Kevin Flatow | Post Production Assistant |
| Crew | Peter S. Elliot | Visual Effects Editor |
| Production | Chris Silver Finigan | Production Accountant |
| Art | Katherine Lambert | Art Department Coordinator |
| Camera | Gregory Irwin | First Assistant Camera |
| Art | Miles Teves | Conceptual Design |
| Art | Don Lanning | Sculptor |
| Art | Daniel R. Jennings | Set Designer |
| Costume & Make-Up | Carrie Bauer | Set Costumer |
| Costume & Make-Up | Luisa Abel | Makeup Artist |
| Costume & Make-Up | Jim Husbands | Set Dressing Artist |
| Crew | Michael Haboush | Stand In |
| Visual Effects | David Rosenthal | I/O Supervisor |
| Crew | Colin Epstein | Sequence Leads |
| Art | Allan Cameron | Production Design |
| Camera | Michael Douglas Middleton | Still Photographer |
| Crew | Ken Bellanca | Driver |
| Production | Mitchell Bell | Production Coordinator |
| Sound | Alexander Courage | Orchestrator |
| Crew | Scott Stokdyk | Digital Effects Supervisor |
| Crew | Gary Combs | Stunt Coordinator |
| Visual Effects | Kenneth Au | Digital Compositors |
| Crew | Mark Schouten | Carpenter |
| Crew | Daniel C. McFadden | Loader |
| Crew | Chris Allen | Software Engineer |
| Crew | Matt Byrne | Utility Stunts |
| Sound | Scott A. Hecker | Supervising Sound Editor |
| Camera | John Trapman | Camera Operator |
| Camera | Jim Gordon | Grip |
| Visual Effects | Hans Metz | Special Effects Supervisor |
| Art | John M. Dwyer | Set Decoration |
| Art | Jim Wardell | Greensman |
| Camera | Gary Dagg | Key Grip |
| Costume & Make-Up | Barry R. Koper | Makeup Department Head |
| Crew | Jim Berney | CG Supervisor |
| Costume & Make-Up | Alec Gillis | Makeup Designer |
| Art | Joseph Martin | Location Scout |
| Crew | Brian Feeney | Set Production Assistant |
| Editing | Catherine Chase | First Assistant Editor |
| Art | Dale Allen Pelton | Art Direction |
| Art | Teri Anne Kopp | Property Master |
| Crew | Joel Renfro | Transportation Coordinator |
| Sound | Carmen Flores De Tanis | Assistant Sound Editor |
| Sound | Joseph Geisinger | Production Sound Mixer |
| Visual Effects | Tom Gibbons | Animation Supervisor |
| Visual Effects | Krystin Johnson | CG Painter |
| Sound | Jason W. Jennings | Sound Effects Editor |
| Art | Mike Larrabee | Painter |
| Sound | Raul A. Bruce | Boom Operator |
| Writing | Gary Scott Thompson | Story |
| Writing | Andrew W. Marlowe | Story |
| Crew | Stanley Brossette | Unit Publicist |
| Crew | Edward Bellafiore | Production Office Assistant |
| Crew | Craig T. Currie | Propmaker |
| Crew | Greg Brickman | Stunts |
| Directing | Louis D'Esposito | First Assistant Director |
| Lighting | Benny McNulty | Best Boy Electric |
| Crew | Aaron Katz | Video Assist Operator |
| Directing | Haley McLane | Script Supervisor |
| Lighting | Shane D. Kelly | Gaffer |
| Production | Robert Latham Brown | Production Manager |
| Visual Effects | Kandece Brown | Visual Effects Coordinator |
| Crew | Gerardo De La Cruz | Systems Administrators & Support |
| Editing | Jim Passon | Color Timer |
| Lighting | Rell Putt | Rigging Grip |
| Sound | Darrell Hall | Music Editor |
| Visual Effects | Craig Hayes | Visual Effects Supervisor |
| Crew | Todd Bates | Makeup Effects |
| Lighting | Ken W. Ballantine | Lighting Technician |
| Visual Effects | Carol Ashley | 3D Artist |
| Visual Effects | Mitch Deoudes | Visual Effects |
| Crew | John P. Fasal | Special Sound Effects |
| Visual Effects | B.Z. Petroff | Visual Effects Producer |
| Crew | Tony Aylett | Machinist |
| Crew | Gilbert B. Combs | Stunt Coordinator |
| Visual Effects | Todd Vaziri | CG Artist |
| Sound | Michael J. Benavente | Supervising Dialogue Editor |
| Camera | Todd Durboraw | Camera Loader |
| Sound | Jerry Goldsmith | Conductor |
| Visual Effects | Dennis Webb | I/O Supervisor |
| Directing | Scott E. Anderson | Second Unit Director |
| Visual Effects | Erik Lee | CG Animator |
| Production | Sissy Grover | Assistant Production Coordinator |
| Costume & Make-Up | Dawn Y. Line | Key Costumer |
| Sound | Yvette Marxer | Utility Sound |
| Art | Giacomo G. Ghiazza | Storyboard Artist |
| Art | Craig T. Shordon | Decorator |
| Directing | Steve Lonano | Second Second Assistant Director |
| Sound | David Lucarelli | ADR Recordist |
| Editing | John Nicolard | Digital Color Timer |
| Visual Effects | Wayne Kennedy | Character Modelling Supervisor |
| Production | Kenny Gallagher | Second Assistant Accountant |
| Visual Effects | Uel Hormann | 2D Supervisor |
| Costume & Make-Up | Whitney James | Makeup Supervisor |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Crew | Gary D. Bierend | Special Effects Technician |
| Crew | Lester Speight | Stunt Driver |
| Visual Effects | Eric Reynolds | Lead Animator |
| Production | Paul-Michel Pierre-Benoist | Location Production Assistant |
| Visual Effects | David Stump | VFX Director of Photography |
| Camera | Mike Gentile | Second Assistant Camera |
| Production | Terri Douglas | ADR Voice Casting |
| Production | David Hickey | Payroll Accountant |
| Costume & Make-Up | Edward Gould | Costumer |
| Crew | Donn Markel | Special Effects Assistant |
| Visual Effects | Jordu Schell | Character Designer |
| Editing | Charlotte Spencer | Assistant Editor |
| Visual Effects | Ralph Sevazlian | VFX Artist |
| Visual Effects | Andy King | Visual Effects Technical Director |
| Editing | Mo Henry | Negative Cutter |
| Production | J. Chan Claggett | Assistant Location Manager |
| Sound | Nick Vidar | Music Programmer |
| Sound | Linda Folk | ADR Editor |
| Camera | David Nims | Dolly Grip |
| Visual Effects | Etienne Andlau | Rotoscoping Artist |
| Sound | Jeena M. Phelps | Assistant Dialogue Editor |
| Visual Effects | Andrew Schwartz | Visual Effects Compositor |
| Crew | Richard L. Hill | Pyrotechnician |
| Directing | Juanma Fernández París | Second Assistant Director |
| Visual Effects | Scott E. Anderson | Senior Visual Effects Supervisor |
| Production | Alonzo Ruvalcaba | Head of Production |
| Crew | Laura Lee Connery | Stunt Double |
| Camera | Brian Mussetter | Assistant Camera |
| Visual Effects | Greg Derochie | Compositing Lead |
| Production | Jennifer Juen | Production Assistant |
| Sound | Susan Dudeck | Supervising ADR Editor |
| Visual Effects | Elizabeth Hitt | Animation Coordinator |
| Production | Tish Johnson | Assistant Accountant |
| Visual Effects | Brennan Doyle | Compositing Supervisor |
| Production | Stephani Hunter | Production Secretary |
| Sound | Matthew Dettmann | Foley Artist |
| Sound | Richard Duarte | Foley Mixer |
| Visual Effects | Brian Keeney | Digital Effects Producer |
| Visual Effects | Stan Parks | Special Effects Supervisor |
| Crew | Phil Culotta | Stunt Double |
