Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.
Unfortunately the movie The Line is not yet available on Disney Plus.
Production | Luc Dardenne | Co-Producer |
Production | Jean-Pierre Dardenne | Co-Producer |
Directing | Ursula Meier | Director |
Camera | Agnès Godard | Director of Photography |
Editing | Nelly Quettier | Editor |
Production | Pauline Gygax | Producer |
Production | Max Karli | Producer |
Production | Marie-Ange Luciani | Co-Producer |
Writing | Ursula Meier | Writer |
Writing | Stéphanie Blanchoud | Writer |
Writing | Antoine Jaccoud | Co-Writer |
Writing | Robin Campillo | Co-Writer |
Writing | Nathalie Najem | Co-Writer |
Production | Philippe Logie | Associate Producer |
Production | Nicolas Zen-Ruffinen | Line Producer |
Production | Olivier Père | Co-Producer |
Production | Delphine Tomson | Co-Producer |
Production | Aurélie Guichard | Casting Director |
Costume & Make-Up | Virginie Berland | Facial Setup Artist |
Costume & Make-Up | Kaatje Van Damme | Makeup Designer |
Production | Ksenia Baucher | Administration |
Production | Adrienne D'Anna | Production Assistant |
Production | Marine Dumas | Production Coordinator |
Production | Antoine Lepetit | Administration |
Crew | Marie-Lou Pahud | Post Production Supervisor |
Directing | Louis Morier-Genoud | Second Assistant Director |
Directing | Sonia Rossier | First Assistant Director |
Directing | Oceane Wannaz | Crowd Assistant Director |
Directing | Léon Yersin | Third Assistant Director |
Art | Margaux Renvoisé | Assistant Art Director |
Sound | Patrick Becker | Sound Mixer |
Sound | Christina Crevillén | ADR Supervisor |
Sound | Étienne Curchod | Sound Designer |
Sound | Antoine Francois | Dialogue Editor |
Sound | Pierre Greco | Foley Artist |
Sound | Lucas Le Bart | Boom Operator |
Sound | Valène Leroy | Dialogue Editor |
Sound | Timothée Montani | Boom Operator |
Sound | Alexis Oscari | Foley Mixer |
Sound | Franco Piscopo | Sound Re-Recording Mixer |
Sound | Selıa Çakir | Foley Editor |
Visual Effects | Delphine Lasserre | Visual Effects Producer |
Visual Effects | Niranjan Siva | Compositing Supervisor |
Lighting | Dino Berguglia | Electrician |
Lighting | Thibault Danjou | Gaffer |
Camera | Fred Bagoë Fauguet | Second Assistant Camera |
Lighting | Elías Fernández Salomón | Electrician |
Camera | Lukas Franz | Steadicam Operator |
Crew | Samuel Maurer | Video Assist Operator |
Camera | Sophie Poncin | Grip |
Lighting | Romain Schar | Electrician |
Camera | François Tille | Key Grip |
Lighting | Mathieu Werlen | Electrician |
Costume & Make-Up | Catherine Schneider | Wardrobe Supervisor |
Editing | Indy Adjovi | Dailies Operator |
Editing | Marina Amaro | Dailies Operator |
Editing | Mia Collins | First Assistant Editor |
Editing | Yov Moor | Colorist |
Editing | Audrey Kleinclaus | Digital Intermediate Producer |
Visual Effects | My Lan Nguyen Quang | Visual Effects |
Production | Kévin Chatelain | Location Manager |
Production | Yannick Ducrot | Assistant Location Manager |
Art | Yannick Ducrot | Location Scout |
Production | Camille Kohli | Location Assistant |
Sound | Benjamin Biolay | Original Music Composer |