Firefighters Chuck Ford and Larry Valentine are guy's guys, loyal to the core—which is why when widower Larry asks Chuck to pose as his lover so that he can get domestic partner benefits for his kids, his buddy agrees. However, things get dicey when a bureaucrat comes calling, and the boys are forced to present a picture of domestic bliss.
Yes! The movie I Now Pronounce You Chuck & Larry is now on Disney Plus in the countries listed below.
| Art | Alan Au | Art Direction |
| Production | Jack Giarraputo | Producer |
| Directing | Dennis Dugan | Director |
| Writing | Jim Taylor | Screenplay |
| Writing | Alexander Payne | Screenplay |
| Production | Roger Mussenden | Casting |
| Production | Amanda Morgan Palmer | Producer |
| Editing | Jeff Gourson | Editor |
| Production | Adam Sandler | Producer |
| Production | Daryl Kass | Line Producer |
| Production | Tom Shadyac | Producer |
| Production | James D. Brubaker | Producer |
| Production | Barry Bernardi | Executive Producer |
| Camera | Dean Semler | Director of Photography |
| Production | Michael Bostick | Producer |
| Crew | Lew Gallo | treatment |
| Writing | Barry Fanaro | Screenplay |
| Art | David Swayze | Art Direction |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Crew | Alex Betuel | Set Production Assistant |
| Crew | Paul E. Short | Stunt Double |
| Crew | Peter Epstein | Stunts |
| Crew | Mickey Giacomazzi | Stunts |
| Crew | Allen Hall | Special Effects |
| Art | Perry Andelin Blake | Production Design |
| Crew | Eliza Coleman | Stunts |
| Directing | Doug Coleman | Second Unit Director |
| Sound | Rupert Gregson-Williams | Original Music Composer |
| Costume & Make-Up | Ellen Lutter | Costume Design |
| Sound | Thomas Causey | Sound Mixer |
| Art | Jann K. Engel | Set Designer |
| Camera | Chad Rivetti | First Assistant Camera |
| Production | Jason Tamez | Production Coordinator |
| Art | Timothy S. Wiles | Property Master |
| Sound | Michael Dilbeck | Music Supervisor |
| Directing | Thomas Coe | Second Assistant Director |
| Camera | Richard Merryman | "B" Camera Operator |
| Production | Ryan Kavanaugh | Executive Producer |
| Production | Nick Swardson | Co-Producer |
| Production | Daryl Kass | Unit Production Manager |
| Production | Kevin Grady | Co-Producer |
| Directing | Jamie Marshall | First Assistant Director |
| Production | Lew Gallo | Executive Producer |
| Sound | Brooks Arthur | Music Supervisor |
| Art | Patte Strong-Lord | Set Designer |
| Production | Allen Covert | Co-Producer |
| Crew | Doug Coleman | Stunt Coordinator |
| Camera | Gary L. Camp | "C" Camera Operator |
| Art | John Collins | Assistant Art Director |
| Art | Robert Fechtman | Assistant Art Director |
| Art | Jeff Markwith | Set Designer |
| Camera | Andrew Rowlands | "A" Camera Operator |
| Costume & Make-Up | Nora Phillips Pedersen | Assistant Costume Designer |
| Lighting | John Martens | Rigging Gaffer |
| Camera | John W. Murphy | Dolly Grip |
| Art | Alan Au | Supervising Art Director |
| Art | Dru Homer | Art Department Coordinator |
| Camera | Ian Fox | Camera Operator |
| Camera | Gary L. Camp | Steadicam Operator |
| Art | Brett Smith | Leadman |
| Camera | Roger Wall | Second Assistant Camera |
| Art | Chuck Askerneese | Assistant Property Master |
| Art | Jim Johnson | Set Dresser |
| Costume & Make-Up | Elaine Ramires | Costume Supervisor |
| Costume & Make-Up | Nancy Tong | Key Hair Stylist |
| Costume & Make-Up | Ann Pala | Makeup Department Head |
| Lighting | James J. Gilson | Chief Lighting Technician |
| Art | P. Scott Bailey | Set Dresser |
| Art | Gary Fettis | Set Decoration |
| Sound | Anthony Ortiz | Boom Operator |
| Costume & Make-Up | Thomas Real | Hair Department Head |
| Costume & Make-Up | Kazu Hiro | Special Effects Makeup Artist |
| Lighting | Joe Martens | Assistant Chief Lighting Technician |
| Production | Amanda Morgan Palmer | Associate Producer |
| Camera | Andrew Rowlands | Steadicam Operator |
| Camera | Brandon Ponticelle | Camera Loader |
| Camera | Fred L. McLane | First Assistant Camera |
| Art | Edward J. Protiva | Set Dresser |
| Art | Leslie Warren | Set Dresser |
| Costume & Make-Up | Valerie Zielonka | Key Set Costumer |
| Costume & Make-Up | Pierce Austin | Hairstylist |
| Costume & Make-Up | Corina C. Duran-Rabichuk | Makeup Artist |
| Camera | Tim Nagasawa | Second Assistant Camera |
| Art | David Ladish | Set Dresser |
| Costume & Make-Up | Maynard Matthews | Hairstylist |
| Camera | Raul Riveros | Second Assistant Camera |
| Sound | Richard Kite | Utility Sound |
| Art | Antonio Andraus | Set Dresser |
| Camera | Pablo Santiago-Brandwein | Best Boy Grip |
| Costume & Make-Up | Mary Iannelli | Assistant Costume Designer |
| Directing | Nancy Karlin | Script Supervisor |
| Camera | Tony Rivetti Sr. | First Assistant Camera |
| Camera | Rodney Sandoval | Second Assistant Camera |
| Art | Mike Bertolina | Assistant Property Master |
| Art | Marcus Epps | Set Dresser |
| Art | Jay Smith | Set Dresser |
| Camera | Michael S. Epley | Dolly Grip |
| Costume & Make-Up | Kathleen Freeman | Key Makeup Artist |
| Camera | William 'Bear' Paul | Key Grip |
| Production | Sherri Goldman | First Assistant Accountant |
| Lighting | Paul F. Barron | Rigging Grip |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Sound | Howard London | ADR Mixer |
| Production | John C. Kruize | Production Accountant |
| Lighting | Don Telles | Rigging Grip |
| Lighting | Anthony Novarez | Rigging Grip |
| Camera | Jason Winger | Grip |
| Camera | Tony T. Thomas | Grip |
| Camera | Tracy Bennett | Still Photographer |
| Camera | Michael P. Catanzarite | Grip |
| Crew | Jeff Ogg | Special Effects Technician |
| Crew | Tammy Sandler | Unit Publicist |
| Editing | Tamara McDonough | First Assistant Editor |
| Lighting | Carlos DePalma | Rigging Grip |
| Crew | Juan J. Rodriguez | Transportation Captain |
| Sound | David Weisberg | ADR Mixer |
| Production | Ralph Coleman | Location Manager |
| Sound | Hugo Weng | Dialogue Editor |
| Sound | Catherine Harper | Foley Artist |
| Production | Leigh French | ADR Voice Casting |
| Sound | J.J. George | Music Editor |
| Camera | Jack Serino | Grip |
| Directing | Carlos De La Torre | Second Second Assistant Director |
| Art | Dennis DeWaay | Construction Coordinator |
| Crew | Hi-Hat | Choreographer |
| Production | Katie Taylor | Casting Assistant |
| Sound | Marc Glassman | Sound Effects Editor |
| Sound | Christopher Moriana | Foley Artist |
| Sound | Darrin Mann | Foley Mixer |
| Camera | Richard Allen | Grip |
| Visual Effects | Allen Hall | Special Effects Supervisor |
| Crew | Edward Flotard | Transportation Coordinator |
| Editing | Morgan Davis Foehl | Assistant Editor |
| Sound | Cameron Steenhagen | Dialogue Editor |
| Sound | Piero Mura | Sound Effects Editor |
| Editing | Terry Hubbard | Assistant Editor |
| Sound | David Bach | Supervising Sound Editor |
| Camera | John Hale | Grip |
| Lighting | Kim Heath | Key Rigging Grip |
| Lighting | Jeff Brinker | Rigging Grip |
| Lighting | William Ambrose | Rigging Grip |
| Lighting | Josh Seifert | Rigging Grip |
| Sound | Stuart Grusin | Music Editor |
| Camera | Balentin Cruz | Grip |
| Production | David Romano | Payroll Accountant |
| Art | William Eliscu | Graphic Designer |
| Art | Warren Drummond | Storyboard Artist |
| Sound | Russell Farmarco | ADR Supervisor |
| Sound | Derek Vanderhorst | Supervising Sound Effects Editor |
| Sound | Elmo Weber | Supervising Sound Editor |
| Sound | Matthew P. Hanson | Assistant Sound Editor |
