Ypsilanti, Michigan, 1945. Engineer Preston Tucker dreams of designing the car of future, but his innovative envision will be repeatedly sabotaged by his own unrealistic expectations and the Detroit automobile industry tycoons.
Unfortunately the movie Tucker: The Man and His Dream is not yet available on Disney Plus.
| Directing | Francis Ford Coppola | Director |
| Sound | Melissa Dietz | Dialogue Editor |
| Crew | Steve M. Davison | Stunts |
| Crew | Tim A. Davison | Stunts |
| Crew | Gary McLarty | Stunts |
| Crew | Jimmy Nickerson | Stunts |
| Art | Doug von Koss | Leadman |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Production | Jonathan Shedd | Assistant Location Manager |
| Production | Susan Griffin | Assistant Location Manager |
| Production | Joe Murphy | Production Accountant |
| Production | Linda Knechtli | Assistant Accountant |
| Production | Kimberly Nelson | Production Secretary |
| Crew | Susan Landau Finch | Unit Publicist |
| Crew | Paula Tracy-Smuin | Choreographer |
| Camera | Billy Clevenger | First Assistant Camera |
| Camera | Michael Santy | First Assistant Camera |
| Camera | Doug Hunt | Second Assistant Camera |
| Camera | Deborah Morgan | Second Assistant Camera |
| Costume & Make-Up | Anne Polland | Key Costumer |
| Costume & Make-Up | Jill Maley | Key Costumer |
| Costume & Make-Up | Louis Infante | Key Costumer |
| Costume & Make-Up | Karen Bradley | Assistant Makeup Artist |
| Costume & Make-Up | Terry Baliel | Assistant Hairstylist |
| Camera | Dennis Pope | Grip |
| Camera | Leo Loverro | Dolly Grip |
| Camera | David Heron | Dolly Grip |
| Editing | Roderick W. Finney | Assistant Editor |
| Sound | Tom Bellfort | ADR Editor |
| Sound | Louise Rubacky | ADR Editor |
| Sound | Diana Pellegrini | Foley Editor |
| Sound | Sandina Bailo-Lape | Foley Editor |
| Sound | Mildred Iatrou | Assistant Sound Designer |
| Sound | Paige Sartorius | Assistant Sound Editor |
| Sound | Michele Perrone | Assistant Sound Editor |
| Sound | Clare C. Freeman | Assistant Sound Editor |
| Sound | Martha Pike | Assistant Sound Editor |
| Sound | E. Jeane Putnam | Assistant Sound Editor |
| Sound | Nicole Boris | Assistant Sound Editor |
| Editing | Donah Bassett | Negative Cutter |
| Crew | Steve Collins | Transportation Coordinator |
| Crew | Dick Ziker | Stunts |
| Writing | Arnold Schulman | Screenplay |
| Writing | David Seidler | Screenplay |
| Production | Fred Fuchs | Producer |
| Production | Fred Roos | Producer |
| Camera | Vittorio Storaro | Director of Photography |
| Editing | Priscilla Nedd-Friendly | Editor |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Production | Janet Hirshenson | Casting |
| Production | Jane Jenkins | Casting |
| Art | Dean Tavoularis | Production Design |
| Art | Alex Tavoularis | Art Direction |
| Art | Armin Ganz | Set Decoration |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Costume & Make-Up | Judianna Makovsky | Assistant Costume Designer |
| Costume & Make-Up | Winnie D. Brown | Costume Supervisor |
| Lighting | Pat Fitzsimmons | Gaffer |
| Sound | Gloria S. Borders | Supervising Sound Editor |
| Sound | Joe Jackson | Original Music Composer |
| Sound | Mark Adler | Music Editor |
| Sound | Michael Evje | Production Sound Mixer |
| Sound | Richard Beggs | Sound Designer |
| Sound | Robert Shoup | Sound Effects Editor |
| Sound | Tim Holland | Sound Effects Editor |
| Costume & Make-Up | Lyndell Quiyou | Hairstylist |
| Costume & Make-Up | Richard Dean | Makeup Artist |
| Production | Teri Fettis-D'Ovidio | Associate Producer |
| Production | George Lucas | Executive Producer |
| Production | Ian Bryce | Unit Production Manager |
| Sound | D. G. Fisher | Boom Operator |
| Visual Effects | David Pier | Special Effects Supervisor |
| Crew | Buddy Joe Hooker | Stunt Coordinator |
| Editing | Louise Rubacky | First Assistant Editor |
| Production | Francis Ford Coppola | Producer |
| Costume & Make-Up | Milena Canonero | Costume Designer |
| Directing | H. Gordon Boos | First Assistant Director |
| Directing | L. Dean Jones Jr. | Second Assistant Director |
| Directing | Daniel R. Suhart | Second Assistant Director |
| Production | Aleta Chappelle | Location Casting |
| Art | Bob Goldstein | Set Designer |
| Art | Jim Pohl | Set Designer |
| Production | Rory Enke | Location Manager |
| Production | Anahid Nazarian | Researcher |
| Production | Maureen Murphy | Production Coordinator |
| Directing | Buddy Joe Hooker | Second Unit Director |
| Camera | Jamie Anderson | Camera Operator |
| Crew | Enrico Umetelli | Technical Advisor |
| Camera | Richard Dova Spah | Key Grip |
| Art | Douglas E. Madison | Property Master |
| Art | Douglas T. Madison | Assistant Property Master |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Sound | Randy Thom | Sound Re-Recording Mixer |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Visual Effects | Robert Finley Jr. | Visual Effects |
| Sound | Dennie Thorpe | Foley Artist |
| Crew | Carmine Coppola | Additional Music |
