Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
Unfortunately the movie The Silence of the Lambs is not yet available on Disney Plus.
| Directing | Jonathan Demme | Director |
| Writing | Ted Tally | Screenplay |
| Art | Karen O'Hara | Set Decoration |
| Camera | Tak Fujimoto | Director of Photography |
| Art | Kristi Zea | Production Design |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Art | Tim Galvin | Art Direction |
| Editing | Craig McKay | Editor |
| Production | Ron Bozman | Producer |
| Production | Edward Saxon | Producer |
| Production | Kenneth Utt | Producer |
| Writing | Thomas Harris | Novel |
| Production | Grace Blake | Associate Producer |
| Production | Howard Feuer | Casting |
| Production | Gary Goetzman | Executive Producer |
| Sound | Howard Shore | Original Music Composer |
| Sound | Suzana Peric | Music Editor |
| Sound | Sharon Boyle | Music Supervisor |
| Lighting | Russell Engels | Gaffer |
| Crew | John Robotham | Stunt Coordinator |
| Camera | Ken Regan | Still Photographer |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Chris Newman | Production Sound Mixer |
| Costume & Make-Up | Kathleen Gerlach | Assistant Costume Designer |
| Crew | James Deeth | Thanks |
| Costume & Make-Up | Hartsell Taylor | Costume Supervisor |
| Directing | Ron Bozman | Assistant Director |
| Crew | Todd Kleitsch | Makeup Effects |
| Crew | Walter Robles | Stunts |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Crew | John Leonidas | Transportation Captain |
| Crew | Marshall Persinger | Post Production Supervisor |
| Crew | Dwight Benjamin-Creel | Special Effects |
| Costume & Make-Up | Allen Weisinger | Makeup Artist |
| Crew | George P. Wilbur | Stunts |
| Crew | Michael Cassidy | Stunts |
| Crew | Denny Caira | Transportation Coordinator |
| Lighting | Michael F. Burke | Electrician |
| Lighting | Ken Connors | Best Boy Electric |
| Art | Francine Byrne | Art Department Coordinator |
| Art | Chris Call | Painter |
| Camera | Richard Aversa | Grip |
| Art | Brian Hartman | Location Scout |
| Camera | Tony C. Jannelli | Camera Operator |
| Camera | Bruce MacCallum | First Assistant Camera |
| Camera | Larry McConkey | Steadicam Operator |
| Art | S. Bruce Wineinger | Construction Coordinator |
| Camera | Mark Streapy | Aerial Camera |
| Art | C.A. Kelly | Standby Painter |
| Art | Gary Kosko | Assistant Art Director |
| Crew | Matthew Myers | Production Intern |
| Sound | Brian Johnson | Assistant Sound Editor |
| Sound | Dennis Maitland II | Boom Operator |
| Crew | Richard Fishwick | Craft Service |
| Sound | John Fundus | Sound Recordist |
| Crew | Dennis Radesky | Transportation Co-Captain |
| Production | Neri Kyle Tannenbaum | Location Manager |
| Art | Ann Miller | Property Master |
| Editing | Colleen Sharp | First Assistant Editor |
| Sound | Homer Denison | Orchestrator |
| Costume & Make-Up | Ed Lohrer III | Set Dressing Artist |
| Crew | Judy Arthur | Unit Publicist |
| Production | Larry Jackson | Executive In Charge Of Production |
| Crew | Trish Breganti | Post Production Assistant |
| Crew | Catherine Marie McDonald | Set Production Assistant |
| Crew | Eileen Garrigan | Scenic Artist |
| Sound | Robert F. Warren | Dolby Consultant |
| Sound | Skip Lievsay | Sound Designer |
| Production | Kenneth Utt | Unit Production Manager |
| Editing | David Orr | Color Timer |
| Camera | Billy Miller | Key Grip |
| Sound | Marissa Littlefield | Dialogue Editor |
| Sound | Gail Showalter | ADR Editor |
| Sound | Deborah Wallach | ADR Editor |
| Sound | Fred Rosenberg | Dialogue Editor |
| Sound | Philip Stockton | Dialogue Editor |
| Sound | Jeffrey Stern | Dialogue Editor |
| Costume & Make-Up | Carl Fullerton | Makeup Effects Designer |
| Art | Kenneth Turek | Set Dresser |
| Costume & Make-Up | Neal Martz | Makeup Effects Designer |
| Crew | Ray Mendez | Animal Wrangler |
| Sound | Missy Cohen | Apprentice Sound Editor |
| Crew | Frederika Gray | Key Scenic Artist |
| Directing | Mary A. Kelly | Continuity |
| Camera | Brian S. Osmond | Camera Trainee |
| Sound | Marko Costanzo | Foley Artist |
| Production | John Crowder | Location Coordinator |
| Production | Lisa Bradley | Assistant Production Coordinator |
| Camera | Tom O'Halloran | Second Assistant Camera |
| Production | Jeffrey T. Barabe | Production Assistant |
| Costume & Make-Up | Benjamin Wilson | Wardrobe Assistant |
| Costume & Make-Up | Mark Burchard | Wardrobe Supervisor |
| Crew | Walt Oggier | Police Consultant |
| Art | Kalina Ivanov | Storyboard Artist |
| Sound | Natasha Kinne | Playback Singer |
| Camera | John Donohue | Dolly Grip |
| Production | Jonathan Sheinberg | Head of Production |
| Production | Donna M. Belajac | Additional Casting |
| Sound | Dana Sano | Music Coordinator |
| Directing | Kyle McCarthy | Second Assistant Director |
| Directing | Gina Maria Leonetti | Second Second Assistant Director |
| Editing | Lisa Bromwell | Associate Editor |
| Sound | Steven Visscher | Foley Editor |
| Sound | Frank Kern | Foley Editor |
| Sound | David Boulton | ADR Recordist |
