Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
Unfortunately the movie King Kong is not yet available on Disney Plus.
| Sound | Max Steiner | Original Music Composer |
| Camera | J.O. Taylor | Director of Photography |
| Camera | Kenneth Peach | Director of Photography |
| Writing | Ruth Rose | Screenplay |
| Camera | Vernon L. Walker | Director of Photography |
| Production | Walter Daniels | Producer |
| Directing | Ernest B. Schoedsack | Director |
| Directing | Merian C. Cooper | Director |
| Production | David O. Selznick | Executive Producer |
| Production | Ernest B. Schoedsack | Producer |
| Camera | Edward Linden | Director of Photography |
| Writing | James Ashmore Creelman | Screenplay |
| Production | Merian C. Cooper | Producer |
| Camera | Ernest B. Schoedsack | Camera Operator |
| Editing | Ted Cheesman | Editor |
| Lighting | George Marquenie | Best Boy Electric |
| Sound | Murray Spivack | Sound Effects |
| Sound | Murray Spivack | Sound Designer |
| Art | Alfred Herman | Settings |
| Art | Ernest Smythe | Additional Storyboarding |
| Writing | Merian C. Cooper | Idea |
| Art | Carroll Clark | Settings |
| Art | Van Nest Polglase | Supervising Art Director |
| Sound | Eddie Harman | Sound Recordist |
| Art | John Cerisoli | Sculptor |
| Art | Steve Rez | Paint Coordinator |
| Crew | Frank D. Williams | Special Effects Technician |
| Costume & Make-Up | Mel Berns | Makeup Supervisor |
| Art | Carroll Clark | Art Direction |
| Writing | Leon Gordon | Writer |
| Art | Alfred Herman | Art Direction |
| Sound | Clem Portman | Sound Re-Recording Mixer |
| Crew | Harry Redmond Sr. | Special Effects |
| Sound | Richard Van Hessen | Boom Operator |
| Crew | Harry Redmond Jr. | Special Effects |
| Writing | Edgar Wallace | Idea |
| Camera | Ernest Bachrach | Still Photographer |
| Camera | Sam Redding | Key Grip |
| Art | Ray Moyer | Set Decoration |
| Sound | Earl A. Wolcott | Sound Recordist |
| Camera | William H. Clothier | First Assistant "B" Camera |
| Directing | Walter Daniels | Assistant Director |
| Crew | Lillian Jones | Stunt Double |
| Crew | Pauline Wagner | Stunt Double |
| Directing | Betty Goode | Script Supervisor |
| Writing | Edgar Wallace | Story |
| Art | Thomas Little | Set Decoration |
| Sound | Harold E. Stine | Boom Operator |
| Writing | Merian C. Cooper | Story |
| Production | Fred Schuessler | Casting |
| Costume & Make-Up | Walter Plunkett | Costume Design |
| Costume & Make-Up | Sam Kaufman | Makeup Artist |
| Crew | Marcella Allen | Stunt Double |
| Crew | Judy Malcolm | Stunt Double |
| Directing | Doran Cox | Assistant Director |
| Crew | Cherie May | Stunt Double |
| Crew | Duke Krantz | Pilot |
| Crew | Buddy Mason | Stunt Double |
| Directing | Ivan Thomas | Assistant Director |
| Costume & Make-Up | Dotha Hippe | Hairstylist |
| Crew | Aline Goodwin | Stunt Double |
| Camera | Bert Willis | First Assistant "A" Camera |
| Art | Carroll Clark | Production Design |
| Art | George Gabe | Property Master |
| Visual Effects | Willis H. O'Brien | Visual Effects |
