Lt. Dave Robicheaux, a detective in New Iberia, Louisiana, is trying to link the murder of a local hooker to New Orleans mobster Julie (Baby Feet) Balboni, who is co-producer of a Civil War film. At the same time, after Elrod Sykes, the star of the film, reports finding another corpse in the Atchafalaya Swamp near the movie set, Robicheaux starts another investigation, believing the corpse to be the remains of a black man who he saw being murdered 35 years before.
Unfortunately the movie In the Electric Mist is not yet available on Disney Plus.
| Writing | Mary Olson-Kromolowski | Screenplay |
| Directing | Bertrand Tavernier | Director |
| Camera | Bruno de Keyzer | Director of Photography |
| Production | Michael Fitzgerald | Producer |
| Writing | Jerzy Kromolowski | Screenplay |
| Editing | Larry Madaras | Editor |
| Production | Gulnara Sarsenova | Executive Producer |
| Production | Jeanne McCarthy | Casting |
| Production | Frédéric Bourboulon | Producer |
| Art | Merideth Boswell | Production Design |
| Writing | James Lee Burke | Novel |
| Production | Deborah Dobson Bach | Producer |
| Production | Lisa Mae Fincannon | Casting |
| Production | Penelope Glass | Executive Producer |
| Editing | Roberto Silvi | Editor |
| Editing | Thierry Derocles | Editor |
| Sound | Marco Beltrami | Original Music Composer |
| Editing | Cindy Bond | Digital Intermediate Producer |
| Lighting | Ferdinand Duplantier Jr. | Rigging Gaffer |
| Sound | Tim LeBlanc | Sound Re-Recording Mixer |
| Production | Nicole Abellera Hallman | Casting Associate |
| Costume & Make-Up | Kathy Kiatta | Costume Design |
| Sound | Jacqueline Simms | Music Supervisor |
| Sound | Heather Gross | Sound Effects Editor |
| Art | John Patterson | Construction Coordinator |
| Costume & Make-Up | Donna Spahn | Hair Department Head |
| Costume & Make-Up | Yolanda Mercadel | Key Hair Stylist |
| Costume & Make-Up | Marcia Evers | Seamstress |
| Directing | Samuel W. Sullivan | Script Supervisor |
| Camera | Chris Squires | Steadicam Operator |
| Crew | Neil Stockstill | Special Effects Coordinator |
| Costume & Make-Up | Tarra D. Day | Makeup Department Head |
| Art | Kelly Curley | Art Direction |
| Art | Sara L. Holman | Art Department Coordinator |
| Visual Effects | Alicia Johnson | Visual Effects Coordinator |
| Production | Shannon DeAntonio | Casting Associate |
| Crew | Stephen Bourgeois | Special Effects Coordinator |
| Costume & Make-Up | Allison Gordin | Makeup Artist |
| Sound | Johnny Caruso | Music Editor |
| Sound | Olivier Dô Hùu | Sound Re-Recording Mixer |
| Sound | Bridget O'Driscoll | Supervising Sound Editor |
| Art | Elizabeth Keenan | Set Decoration |
| Costume & Make-Up | Caryn Frankenfield | Set Costumer |
| Visual Effects | Ladd Lanford | Visual Effects Producer |
| Costume & Make-Up | Remi Savva | Makeup Artist |
| Sound | Jason Ruder | Music Editor |
| Visual Effects | David Sosalla | Visual Effects Supervisor |
| Crew | David K. Nami | Special Effects Coordinator |
| Editing | Jesse Wagler | Digital Intermediate |
| Camera | Henry Tirl | Steadicam Operator |
| Sound | David Bach | Sound Re-Recording Mixer |
| Costume & Make-Up | Leeann Radeka | Costume Supervisor |
| Sound | Mark Allen | Sound Effects Editor |
| Editing | Alicia Johnson | Digital Intermediate |
| Lighting | Wells A. Smith | Rigging Grip |
| Lighting | James Trapper McEvoy | Rigging Grip |
| Sound | Trevor Ward | Dolby Consultant |
| Costume & Make-Up | Kellie Robinson | Makeup Artist |
| Editing | Florent Danny Retz | First Assistant Editor |
| Sound | Paul Ledford | Sound Mixer |
| Sound | Christopher Moriana | Foley Artist |
| Art | Keith Walters | Property Master |
| Sound | Manuel Vidal | Dialogue Editor |
| Sound | Catherine Harper | Foley Artist |
| Sound | Kira Roessler | Dialogue Editor |
| Crew | Jim Robin | Driver |
