The owner of a bank (Miss Bitterman) wants to own the Muppet Theatre so she can build a nightclub over it. After she tricks Pepe into giving her the only copy of the contract between her father and the Muppets, she changes it so the Muppets have very little time to pay a debt they owe. Meanwhile, the Muppets are trying to put on a Christmas show. After the Muppets are confronted by Bitterman, they make a lot of sacrifices to save up so they can keep the Theatre.
Unfortunately the movie It's a Very Merry Muppet Christmas Movie is not yet available on Disney Plus.
| Writing | Jim Lewis | Writer |
| Directing | Lana Krotenko | Script Supervisor |
| Directing | Kelly Moon | Script Supervisor |
| Camera | Randal Platt | Second Unit Director of Photography |
| Writing | Tom Martin | Writer |
| Crew | Marny Eng | Stunt Coordinator |
| Camera | Peter Grotek | Dolly Grip |
| Camera | Martin Udo Haas | Dolly Grip |
| Sound | Dino A. Moriana | Music Editor |
| Editing | Frank Mazzaro | Online Editor |
| Sound | Stephen James Taylor | Orchestrator |
| Sound | Larry Stensvold | Sound Mixer |
| Costume & Make-Up | Charles Porlier | Special Effects Makeup Artist |
| Sound | Nan Schwartz | Orchestrator |
| Sound | Stephen Fitzmaurice | Sound Mixer |
| Camera | Trevor Butt | First Assistant "A" Camera |
| Sound | Sara Kohlman | Sound Assistant |
| Costume & Make-Up | Debra Wiebe | Hairstylist |
| Directing | Sophie Brodovitch | Script Coordinator |
| Sound | Chris Klatman | Orchestrator |
| Camera | Brian Rose | First Assistant "B" Camera |
| Sound | Charles O'Shea | Boom Operator |
| Directing | Tracey Poirier | Second Assistant Director |
| Production | Mike Fenton | Casting |
| Art | Grant Swain | Property Master |
| Art | Dave Conway | Construction Coordinator |
| Directing | Patrice Leung | First Assistant Director |
| Camera | Armin Matter | Camera Operator |
| Lighting | Simon Hunt | Gaffer |
| Art | Brian Epp | Assistant Property Master |
| Art | Beth Nelson | Assistant Set Decoration |
| Lighting | Niall Fraser | Best Boy Electric |
| Crew | Robert Yeager | Special Effects Coordinator |
| Production | Adrienne Sol | Assistant Production Coordinator |
| Sound | J. Eric Schmidt | Orchestrator |
| Production | Lynne Carrow | Casting |
| Sound | Ira Hearshen | Orchestrator |
| Sound | Richard C. Franklin | ADR Supervisor |
| Production | Allison Cowitt | Casting |
| Crew | James Hibbard | Choreographer |
| Camera | Harvey Fedor | Key Grip |
| Sound | Bill Newlin | Orchestrator |
| Crew | Ron James | Transportation Coordinator |
| Sound | Audrey DeRoche | Music Coordinator |
| Costume & Make-Up | Sandy Cooper | Key Makeup Artist |
| Production | Laura Livingstone | Production Coordinator |
| Production | Robert Murdoch | Location Manager |
| Sound | Andrew Kinney | Orchestrator |
| Sound | Richard Taylor | Sound Supervisor |
| Art | Frank Haddad | Greensman |
| Production | Teresa Gough | Assistant Location Manager |
| Editing | Sati Tooray | Colorist |
| Sound | Don Nemitz | Orchestrator |
| Production | Warren Carr | Production Manager |
| Art | Roxanne Methot | Assistant Art Director |
| Sound | Darren Brisker | Sound Recordist |
| Camera | Charlie Schultz | Best Boy Grip |
| Crew | Lorne Kostyshin | Craft Service |
| Directing | Kirk R. Thatcher | Director |
| Art | Linda Vipond | Set Decoration |
| Production | Martin G. Baker | Producer |
| Art | Michael S. Bolton | Production Design |
| Production | Ruth Caruso | Co-Producer |
| Camera | Tony Westman | Director of Photography |
| Art | James Steuart | Art Direction |
| Costume & Make-Up | Polly Smith | Costume Design |
| Production | Juliet Blake | Executive Producer |
| Production | Warren Carr | Producer |
| Production | Brian Henson | Executive Producer |
| Sound | Mark Watters | Original Music Composer |
| Editing | Gregg Featherman | Editor |
| Production | Bill Barretta | Co-Producer |
| Costume & Make-Up | Sandra J. Blackie | Costume Design |
