Sidney Young is a down-on-his-luck journalist. Thanks to a stint involving a pig and a glitzy awards ceremony, Sidney turns his fortunes around, attracting the attention of Clayton Harding, editor of New York-based glossy magazine 'Sharps', and landing the holy grail of journalism jobs. The Brit jets off to the Big Apple and moves from one blunder to the next.
Unfortunately the movie How to Lose Friends & Alienate People is not yet available on Disney Plus.
| Camera | Oliver Stapleton | Director of Photography |
| Writing | Peter Straughan | Screenplay |
| Production | Jon Diamond | Executive Producer |
| Production | Robin O'Hara | Producer |
| Production | Peter Hampden | Executive Producer |
| Directing | Robert B. Weide | Director |
| Production | Elizabeth Karlsen | Producer |
| Production | Simon Fawcett | Executive Producer |
| Production | Brian Gilmore | Executive Producer |
| Art | John Beard | Production Design |
| Production | Gary Smith | Executive Producer |
| Production | Kim Davis-Wagner | Casting |
| Production | Lila Yacoub | Line Producer |
| Production | Jina Jay | Casting |
| Production | Toby Young | Producer |
| Production | Stephen Woolley | Producer |
| Production | Paul White | Executive Producer |
| Production | Carrie Fix | Line Producer |
| Production | Jimmy Price | Line Producer |
| Sound | David Arnold | Original Music Composer |
| Editing | David Freeman | Editor |
| Production | Norman Merry | Executive Producer |
| Production | Tessa Ross | Executive Producer |
| Production | Richard Hewitt | Line Producer |
| Production | Justine Arteta | Casting |
| Costume & Make-Up | Annie Hardinge | Costume Design |
| Crew | Jo Fernihough | Unit Publicist |
| Art | Sara Parks | Set Decoration |
| Directing | Beverly Winston | Script Supervisor |
| Art | Anthony Gasparro | Art Direction |
| Crew | Polly Duval | Post Production Supervisor |
| Sound | Jim Greenhorn | Sound Mixer |
| Sound | Glenn Freemantle | Supervising Sound Editor |
| Writing | Toby Young | Script Consultant |
| Production | Neil Chaplin | Production Accountant |
| Production | Tony Clarkson | Location Manager |
| Writing | Toby Young | Book |
| Directing | Matthew Penry-Davey | First Assistant Director |
| Crew | Robert Hamilton | Video Assist Operator |
| Directing | Charlie Reed | Third Assistant Director |
| Crew | Hannah Andrews | Stand In |
| Sound | Nadine Richardson | Sound Assistant |
| Production | Ella Harris | Production Runner |
| Production | Sarah Stiff | Assistant Accountant |
| Sound | Orin Beaton | Boom Operator |
| Directing | Simon Downes | Second Second Assistant Director |
| Crew | Philip James Booth | Stand In |
| Camera | John Jordan | Focus Puller |
| Camera | Andrew Jones | Camera Trainee |
| Camera | Pete Cavaciuti | Steadicam Operator |
| Production | Hollie Foster | Assistant Production Coordinator |
| Production | Susan Chika Anisiobi | Assistant Accountant |
| Production | Joanna Laurie | Producer's Assistant |
| Crew | Sam Haveland | Floor Runner |
| Directing | Lance Roehrig | Second Assistant Director |
| Production | Francesca Dowd | Production Coordinator |
| Crew | Ryan Taggart | Loader |
| Camera | Rupert Lloyd-Parry | Key Grip |
| Crew | Liat Baruch | Actor's Assistant |
| Production | Peter Ogunsalu | Producer's Assistant |
| Crew | Loyd Catlett | Actor's Assistant |
| Production | Robin Davies | Producer's Assistant |
| Art | Ray Fisher | Leadman |
| Art | Ray Chan | Supervising Art Director |
| Production | Laurie Borg | Co-Producer |
| Crew | Jo McLaren | Stunt Double |
| Costume & Make-Up | Nana Fischer | Makeup Artist |
| Costume & Make-Up | Lucy Sibbick | Makeup Artist |
| Sound | Hugo Adams | Foley Editor |
| Sound | Niv Adiri | Sound |
| Sound | Ed Colyer | Foley Mixer |
| Sound | Glen Gathard | Assistant Foley Artist |
